🔗 Share this article Film Analysis: Band Frontman Jason Williamson Assumes Character in Sceptical Look at Ecstasy Generation Era Produced by Bristol sound co-founder the musician-producer, this scabrous though undernourished debut feature casts a critical gaze on the ecstasy-fueled club scene. Self-serving drug user David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to break into his own parents. In no time, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.” Unsteady Opening and Grimly Amusing Confrontation The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while awkwardly transitioning into flashbacks of his normal activities. The central theme – that the ecstasy generation were primarily out for number one – is clearly conveyed. But these vignettes are insufficiently developed to properly prime us for what to expect when the Woodsman arrives, enraged after David strangles his dog. Still, a darkly funny duel takes hold – David desperate to escape; the Woodsman withholding his jerrycan of scrumpy, intent on soaking him instead in resentful talk. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley. Stylish Imagery and Promo-Inspired Vibe There is only one key story turn, but it results in a hilariously staged rampage on the forest trails that veers toward rural terror. Director John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing artful shots of bugs in headlights in the opening part, he now lets rip with the full psychedelic grand display, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry. The film releases in British and Irish cinemas from November 17.